Hsu Che-Yu and Chen Wan-Yin have been in a decade-long artistic alliance since 2015, exploring the boundaries between memory and the body through moving images, text, and technology. Hsu is known for his use of animation and video, while Chen focuses on textual narratives and audiovisual structures. Their collaborative works traverse the realms of news events, historical incidents, and personal recollections. Over the past ten years, they have developed a mode of artistic production that interweaves image-making, writing, digital replication, and narrative reenactment. Through animal remains, unnamed corpses, conjoined twins, and political dissidents, they revisit sites of trauma, fabricate forensic replicas, and simulate psychological phantoms, cataloging fragmented memories into a visible logic of aberrant order.

aberrant archive 2015-2025 is a collaborative volume that combines a visual archive and writings by the two artists. The book includes artwork documentation, manuscripts, and notes related to their works, along with essays by art critic Kao Chien-Hui, curator Paulo Miyada, and film scholar Yu Chang-Min.

許哲瑜與陳琬尹，自2015年起展開歷時十年的創作結盟關係，持續以影像、文字與技術探索記憶與身體的界線。他們一位擅於運用動畫與錄像創作，一位專注文本敘事與音像結構，作品穿梭於社會新聞、歷史事件與私人回憶之間。這十年裡，他們建立起一種藝術與技術交織的創作模式，透過影像、寫作、數位翻模與敘事重演，他們重訪事件現場、翻製遺體標本、模擬心理幽影，透過動物遺體、無名亡者、分離雙胞胎與政治犯等身體，試圖將散亂記憶編目為一種可視的異常秩序。《記憶無歸屬》作為一本兩位創作者合作的圖集與寫作專書，涵蓋作品檔案、手稿、創作筆記，並收錄藝評家高千惠、策展人保羅宮田（Paulo Miyada）、電影研究學者于昌民的專文。