Reilluminate by Allison Watkins Most of our relationships with plants are during the day, during the magic of photosynthesis, a time when we can admire the visible beauty of nature lit up brightly by the sunlight. Allison Watkins walks around at night and gathers plants and flowers with controlled lighting, illuminating the darkened garden that has receded since the sun has gone down.
Fragments, past, diffuse memory: Neuza Rodrigues 生活在里斯本這樣一座多情的城市裡，里斯本本身對於Neuza來說，仍是個未知的他方。Neuza的作品闡述的是過去與記憶——或許等到多年後離開這裡，里斯本，才能夠成為Neuza記憶的片段之一。
Feel the movement like watching landscapes: Interview with Tomoko Ashikawa 芦川朋子 我認為所謂的空間就是你的大腦，它可以帶你去任何地方旅行。這有點像移動心靈和哲學的概念......我的理想狀況就是， waitingroom存在於世界各地，當畫廊在參加博覽會、或是我的藝術家在其他地方跑秀時，裡頭總是會有一小塊想法或氣場，由我的畫廊出演，走到哪跟到哪。
Feel the movement like watching landscapes: Interview with Artist Yuko Mohri 毛利悠子 My work changes like a landscape, moving unexpectedly, looked like a creature, even if I use machine and technology for my work. Hence, I expect to have this unexpected alteration without defining a result for my work. I would like the audiences to feel my work freely as if looking at a landscape and being absorbed in their own thoughts...
A Piece of Dog: A diary about the dog and its foods 現代人對於美好生活的想像或許是一種被社會引導的假象，生活是不是可以不必被這些美好所綁架？若我延用現代人手機自拍的方式與食記的內容，但卻更換了拍攝的主體（人>犬）與環境（餐桌>地面），一些關於現代生活的荒謬與日常的糾結能不能借由這些影像清楚地浮現出來？
Justyn Hegreberg: Breaking Voices 當一幅幅上了框的畫面準備好在腦中完形，觀眾卻無法像拼拼圖一樣，揣測在畫作斷裂之處所中止的顏色，會接著增生出什麼樣的圖塊。精巧的面積中，賞心悅目地創造出巨大的想像。
I Never Promised You A Rose Garden by Karolin Klüppel 這些年輕的男子既像卡拉瓦喬的酒神，也似是米萊斯的奧菲莉亞。Klüppel不僅藉由攝影來營造有如古典繪畫的形象，更在內裡揉合了「女性」與「男性」典型的社會角色，對性別結構的成見提出質疑與反思。
Acting Future by Annabel Miedema “I think I would have lived in one house with my entire family. We would do things together and help each other when needed. Animals and humans would live next to each other. Comfortable atmospheres, music and eating together would be important. What would it be like if this happened in the future?”
Eight Euro Sculptures by I LIKE BIRDS I LIKE BIRDS提出了一系列名為「Eight Euro Sculptures」的裝置，旨在處理雕塑藝術與其價值的主題。他們使用包羅萬象的日常物件創作了26件樣貌各異的現成物，如其名，每一件作品的售價為8歐元整。
Adobe, Desk Tools In Terracotta by Ilaria Innocenti 以古老手工製磚工藝所打造的桌上工具組「Adobe」，用與建築相同的技術發展出一系列家用品，每一件Adobe都擁有一組磚造容器和彩色的金屬支架，提高作為工具的實用性，也俱備了異材質間產生的特色。
Sketchbook Pages by Julianna Brion 以舊書為畫本，在泛黃的紙頁直接以隨興的筆法疊上一層層顏料、時而在局部透出原有的文字，畫作與古紙彷彿互相輝映著藝術家的性格。如果說一件完整的作品是繆思的精華果實，那Julianna Brion畫冊或許更接近種種靈光乍現的瞬間。
Special feature of NOT TODAY 2/6 –– 日常宇宙 The living universe 在三十坪左右的公寓背景底下，他們分享持家的理念、對居所與生活的想法；細膩的家庭肖像照底下，是歲時移動的細節和軌跡。
Asia Anarchy Alliance 亞細亞安那其連線 2014/5/12 n 2014, the third year after the incident of 311 Fukushima nuclear disaster, with the leaking of radiation and nuclear waste issues still remain unsolved, which alters the political map of the leading countries in Asia. In order to continue its political influences, the governments and multinational enterprise adapt neoliberalism more closely as its consequences.
Out of “Paradise” by Reiner Riedler Reiner Riedler had the luck and pleasure being assigned by Austrian director Ulrich Seidl to join the production of his movie trilogy Paradise – Love, Faith and Hope. And he was asked to follow the red line of the idea of ‘Paradise’ and felt free to find my own approach to this idea.
Take a look at YOUNG ART TAIPEI 2014 今年度的YAT特別著重當代攝影藝術，除了舉辦「Portfolio Review」這類在其他歐美亞國家行之有年，由創作者向攝影圈前輩、資深評論者展示作品的交流、評圖活動；也邀請了首屆亞洲攝影節策展人顧錚、韓國東江國際攝影節創辦人金升坤、日本木村伊兵衛寫真賞評審瀨戶正人，針對當地代表藝術家的作品，特別策劃焦點式的攝影展覽，展現當代亞洲的攝影藝術風貌。
Shashasha 写々者: Delivering Japanese photography to the world 來自日本的線上平台〈shashasha 写々者〉，秉持著對攝影的熱愛，無論在實體出版或數位化領域皆下足了功夫，默默累積日本攝影相關資料，建構出一個擁有龐大資料的平台，是目前為止亞洲攝影資料庫的瑰寶。
Rosa Rendl: Keep Silence and Breathe Gently 沒有過多的雜音的視覺語彙，Rosa Rendl以平面的方式去呈現三維空間，藉由近距離處理被攝物，使畫面中的物件和建築結構趨於單純。構圖一貫的抽象簡約，卻絲毫不顯冰冷，色調柔和，宛如朦朧的午睡片刻。
The Broken Arm by Nicolas Poillot The name, The Broken Arm, is inspired by Marcel Duchamp’s work of readymade—“In advance of the broken arm.” Under the artist’s manipulation, an iron snow shovel goes beyond its own commonness and universality as an everyday object, so that the audiences are no longer bounded by its basic shape and function; art, thus, departs from the so-called “track”, participates in the society, and becomes one of its members, mingling with everyday, business, thoughts, and so on.
