There's a special bundle price for these two titles.

Hsu Che-Yu and Chen Wan-Yin have been in a decade-long artistic alliance since 2015, exploring the boundaries between memory and the body through moving images, text, and technology. Hsu is known for his use of animation and video, while Chen focuses on textual narratives and audiovisual structures. Their collaborative works traverse the realms of news events, historical incidents, and personal recollections. Over the past ten years, they have developed a mode of artistic production that interweaves image-making, writing, digital replication, and narrative reenactment. Through animal remains, unnamed corpses, conjoined twins, and political dissidents, they revisit sites of trauma, fabricate forensic replicas, and simulate psychological phantoms, cataloging fragmented memories into a visible logic of aberrant order. aberrant archive 2015-2025 is a collaborative volume that combines a visual archive and writings by the two artists. The book includes artwork documentation, manuscripts, and notes related to their works, along with essays by art critic Kao Chien-Hui, curator Paulo Miyada, and film scholar Yu Chang-Min.

A Few Exercises in Mourning is an artist book collaboratively created by Hsu Che-Yu and Chen Wan-Yin, designed and edited by dmp editions. Within its pages, the visual components concentrate on three artworks that delve into themes of death, commemoration, and bodily hallucination: Blank Photograph, in which a former bomber reenacts the suicide of his brother; Grey Room, a VR experience that takes the viewer into childhood memories shaped by diplopia; and Zoo Hypothesis, a reconstruction of an animal memorial ceremony from World War II. Through various 3D scanning techniques, Hsu and Chen navigate a desaturated digital terrain of grayscale models, embarking on an exploration of “mourning techniques,” a passage through sensory catastrophe and neural residue.

許哲瑜與陳琬尹，自2015年起展開創作結盟關係，這十年裡，他們建立起一種藝術與技術交織的創作模式，透過影像、寫作、數位翻模與敘事重演，他們重訪事件現場、翻製遺體標本、模擬心理幽影，透過動物遺體、無名亡者、分離雙胞胎與政治犯等身體，試圖將散亂記憶編目為一種可視的異常秩序。《記憶無歸屬》作為一本兩位創作者合作的圖集與寫作專書，涵蓋作品檔案、手稿、創作筆記，並收錄藝評家高千惠、策展人保羅宮田（Paulo Miyada）、電影研究學者于昌民的專文。

《A Few Exercises in Mourning》是許哲瑜與陳琬尹共同創作，由dmp editions操刀編排的藝術家書。書中的視覺材料聚焦三件關於死亡、紀念與身體幻覺的影像作品：炸彈客重演其兄之死的〈空白相片〉、VR帶領觀眾走進雙視症患者童年記憶的〈白屋〉，以及二戰時動物行跪儀式重構的〈動物園假說〉。透過不同的3D掃描工具，許哲瑜和陳琬尹在一片褪去色彩的灰白數位模型中，探索穿越災難感知與神經殘影的「哀悼技術」。

雙書合購組合為優惠價。