“My family roots back to Europe, but I was born in Israel. I was born two year after my family migrated to Israel due to anti-Semitic attacks on my brother’s Hebrew school. I was a child on a fence; a daughter to a migrating family. The house within culturally stayed European but outside was the Israeli controversial culture. I always felt a misfit with my partial incomplete identity; torn apart between parents who have never blended in to the Israeli culture I felt only half belonged too.
Over the years I have heard of my parent’s memories and stories. I remember hearing of snow, youth and happiness. Stories of happier days. The stories held on to the memories of times that I wasn’t a part of, and portraits of family members that always remained anonymous to me and their faces where no more distinct than any other person in generic photo album. These stories were supposed to be my heritage.
Family albums had become a standard in a process of portraying a family and the creation of a collective memory. Things as a birthday cake, children taking a bath or a family trip have become a portrait of the normal memory. Sometimes we don’t even remember the occasion but we can relive it by looking at the picture and assuming we remember the memory it represents. Both my family albums and the generic family albums are fascinating to me. As I grew up I’ve started to question photography’s function as my memory, as my family heritage. I cannot find much of a different between the histories found in my own family album to any other family album.